skin-and-teeth

I just logged onto this account for the first time in a long time. I was trying to (and succeeded!) to find a link to one of Jen Mussari's old pieces that I saw uncredited along with this article: http://goodmenproject.com/ethics-values/hesaid-whats-the-difference-between-cultural-exchange-and-cultural-appropriation/comment-page-2/#comment-659157 I left them a comment about how appropriating Jenn's work is pretty ridiculous considering that the article they are pairing her image with is about appropriation, yada yada. Sent Jenn an e-mail letting her know. Then I looked at my own messages. Nearly a year ago, a very kind woman got in touch wit

There is a thin line separating self-awareness from self-criticism. These works are physical representations of a psychological negotiation between these two states of self-assessment, an assessment that has been increasingly informed over the course of my undergraduate education by the academic structures of the School of the Museum of Fine Arts, Boston and Tufts University. Trying to assimilate a range of perspectives concerning the role(s) of art and the artist beyond the private sphere of personal interest and into the public realm of cultural participation has been a struggle, and rather than coming to a pointed conclusion, has instea

Write an artist statement about a body of text that you have already written, because you are in school and need to pass this class to graduate, and because right now this class is requiring you to write an artist statement about a body of text you have already written. The body of text that you have already written and should now be writing an artist statement for does not necessarily include this body of text, but could possibly include this body of text if such a manner of writing in which this body of text is written happens to be the way in which you write bodies of text that are considered by you or others to require artist statements.